Robert Fulton short film.

Wade Hampton finds himself trapped. After fifteen mind-numbing years on a factory assembly line, he finally snaps. He walks away from his job, his family, his entire life - to drive to Jerome, AZ to become an artist.

A guy takes surreal measures to conceal his true emotions.

82 year-old Elena Klein, a retired New York florist, can't stop arranging — only now it's not flowers she's arranging, but people's lives.

The main characters of this satiric story poking fun at domestic labour ethic are two cleaners of the mains. Jeromos and his son drop in to doctor Katona's in order to clean the shit pit decorating the end of the garden. During the day work is being done in a very time consuming way, materials are missing, and the boss devotes more attention to his love affairs than to supervision.

On their tenth wedding anniversary, painter František and his wife Jarmila return to their isolated home. While František is content with a quiet, unambitious existence, Jarmila perceives their orderly life as stagnant water rather than true living. What is intended as a private celebration becomes a pivotal moment where an unforeseen event forces František to reveal his true character through his actions.

Locked in a bunker and faced with an impossible commission a young artist has to look beyond reality and logic, and face himself.

Esther is beautiful beneath the surface, in an office where the surface is all that matters. Plus she has brains and about 100 extra pounds. Her nasty, brutish, and tall colleagues (Donna, Caroline, and Erica) make fun of her even as they depend on her knowledge. One day, she excitedly offers to show them a portrait she's had taken by Bud, of "Bud's Glamour Shots," who had spammed the office with an e-mail promising a picture that will reveal her true inner self. Cut to Esther, driving home in tears. That night she sleeps with the portrait near the bed and awakes to discover something extraordinary. When the three harpies see the result, will they book a session with Bud?

This movie's preamble explains the importance of salesmanship after the great depression The industrial revolution has created a life of modern convenience for America, and there are more products available than most people can fathom. David, one of the main characters in this drama, is a life insurance salesman. His livelihood and profession rely on people willing to take out new policies. Throughout the beginning of the film, a narrator points out modern inventions like telephones, electric toasters, and other conveniences, and explains the significance of these items.

Rougish painter, needing money to pay off debts to his ex-wife and mistress, considers agreeing to do a banal portrait for a wealthy woman.